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Visual Communication Design alumna Loretta Ford, M.F.A., ‘21, received the opportunity of a lifetime when she was sought out by Microsoft to illustrate a new children’s book that is part of the Phippy and Friends series.  

����ɫ��ҹ’s Public Relations Student Society of America (PRSSA) Chapter earned seven national awards for the work done throughout the 2020-2021 academic year, including for first time in Chapter history, two Teahan Awards, the highest Chapter honors.

In celebration of Native American Heritage Month (November), we are shining a spotlight on the students, alumni and faculty within the College who are making a difference in Native American communities by advocating for change and e

The College of Communication and Information and School of Communication Studies congratulates two faculty members who are finalists for some of ����ɫ��ҹ’s highest teaching honors:

Travel is a communicative experience.

“You can’t expect journalists to do this type of hurdling long-term without holistic support that includes logistical elements," claims Assistant Professor and TV2 advisor Gretchen Hoak, "but also mental and emotional support."

Throughout summer 2021, students from a variety of majors within the School of Media and Journalism worked for Project Citizen, a collaborative project organized by ����ɫ��ҹ alumna and former CNN anchor Carol Costello. 

Iris Lee, data journalist for the Los Angeles Times, joined the Emerging Media and Technology class “Data in Emerging Media and Technology” virtually to talk about her job and recent projects during the COVID-19 pandemic.

In celebration of National LGBTQ+ History Month, we are shining a spotlight on MDJ’s Queer Cinema course taught by Assistant Professor of Media and Journalism and Communication Studies, Dr. Karisa Butler-Wall. The course focuses on queer filmmaking and spectatorship as a critical practice that reflects shifting understandings of gender and sexual nonnormatively across space and time.  

“From classical Hollywood cinema to contemporary independent and documentary filmmaking, this class examines how particular historical and cultural moments, geographical spaces, and political contexts have shaped the conditions for representations of queerness on screen,” Butler-Wall says.  

The course allows students the chance to learn to critically analyze and discuss queer films from a queer theoretical point of view. They focus on how gender and sexuality intersect with other categories of power including race, class, and citizenship. Some films highlighted in the course are The Rocky Horror Picture Show (1975), Two Spirits (2010), and Moonlight (2016).  

Butler-Wall says that Queer Cinema allows students to actively engage with questions of identity, representation, performance, and activism from an interceptional perspective.  

“Film is one of the most impactful mediums that has the power to shape our understandings of identity and culture, and for marginalized populations it can be a tool of oppression or of liberation.”